TASK: Production of a video project that incorporates at least some still or moving image from the appropriation of diverse sources of free access (photography, cinema, television, etc.), applying the technique of editing, assembly, juxtaposition, and / or cutting as a critical and deconstructive tool that causes the displacement of the original meaning of the reused images.Continue reading “PHOTOGRAPHY AND VIDEO ART – Appropiation and Archiving”
Category Archives: Spain Art School UCLM
PHOTOGRAPHY AND VIDEOART – Silence is Violence (5 minute film)
RESEARCH Womanhouse (1972) Womanhouse opened in Los Angeles as part of the first Feminist Art Program, originally established by Judy Chicago at California State University, Fresno, and later expanded at CalArts. Chicago with her co-educator, artist Miriam Schapiro, worked with a group of students and local artists to transform a dilapidated house in Los AngelesContinue reading “PHOTOGRAPHY AND VIDEOART – Silence is Violence (5 minute film)”
PHOTOGRAPHY AND VIDEOART – single channel flat sequence video
PAREDOLIA BRIEF For this assignment we were asked to produce a single-channel video of a maximum duration of 3 minutes, whose structure must be in single sequence plane. The resulting work must record a performative action presented in real-time, without digital editing. The action must have been designed expressly for the camera, emphasizing the relationshipContinue reading “PHOTOGRAPHY AND VIDEOART – single channel flat sequence video”
EXPERIMENTAL CINEMA – Paracinema
Expanded film work (performance with projection, film installation, interventions or paracinema) that revolves around the idea of LEAVING THE SCREEN. RESEARCH Firstly, I researched the definition of PARACINEMA/EXPANDED CINEMA and VIDEO INSTALLATION in different sources. DEFINITION: Paracinema is the mutation of high and low art: conjoining exploitation and academia, and boiling with energy, individuality andContinue reading “EXPERIMENTAL CINEMA – Paracinema”
EXPERIMENTAL CINEMA – Super 8 and 16mm
During our first lecture, we were shown around the facilities and equipment, like the Super 8 camera and 16mm, and discussed the unit and tasks. I am a big fan of some experimental cinema, especially David Lynch films, but I realised that I don’t know that much about it. Well, this is about to change.Continue reading “EXPERIMENTAL CINEMA – Super 8 and 16mm”
HISTORY OF PHOTOGRAPHY – Photography as a Mirror
In this unit, we were asked to create work, taking as a starting point the premise of photography as a mirror. RESEARCH Texts: How Millennials Became the Selfie Generation | Annals of Obsession | The New Yorker A short but VERY interesting video that gets to the roots of the narcissism that developed over generations,Continue reading “HISTORY OF PHOTOGRAPHY – Photography as a Mirror”
HISTORY OF PHOTOGRAPHY – Index
Index in photography “Any reflection of any medium of expression must raise the fundamental question of the specific relationship that exists between the external referent and the message produced by that medium. It is the question of modes of representation of the real or, if you like, the question of realism.” (Philippe Duboise, The photographicContinue reading “HISTORY OF PHOTOGRAPHY – Index”
PHOTOGRAPHY AND VIDEOART – Fictitious Document Photography project
In this unit we were asked to create an artistic project that questions the photographic image as a mere reflection or unaltered record of reality. FIRST LECTURE First lecture covered a variety of artists that played with the concept of fiction and truth in photography. https://www.juanmagonzalez.com/fontcuberta/fauna.html Also known as “Dr. Ameisenhaufen’s Fauna” or “Secret Fauna”,Continue reading “PHOTOGRAPHY AND VIDEOART – Fictitious Document Photography project”
Ela Skorska 